 |
Fuchs/Plush FX |
Here's what you need to know about Plush FX Pedals, made by Fuchs.
All Plush pedals feature: Cast aluminum housings, industrial powder coat finish, heat cured silk screen labeling,
true bypass, Cliff switch, Neutrik connectors, metal shaft controls, premium boutique quality passive components
selected for tone, mil spec fiberglass two sided circuit board construction for consistent long term performance,
1-year Australian warranty. Made in the USA.
|
Product |
Details |
| FPCREAM |
Fuchs Plush Cream Pedal |
|
The Tube Screamer might be the most popular and famous overdrive pedal ever made.
Made popular by SRV and countless others, the TS-808 (and its derivatives) have become legendary.
When we designed the Cream, we sought to produce a pedal with the 3-knob simplicity of this classic pedal,
while refining the overall design to modern boutique standards.
In addition to the selected Integrated circuit, we carefully chose each resistor and capacitor to
voice the Cream to be quiet, smooth yet articulate, and dynamic.
It responds well to both picking strength and guitar volume, and, best of all,
it feels like a tube amp. The gain control takes you from a mild edge to the hardest scream.
The tone control takes you from a warm woman tone to a screaming lead tone with just the right amount of sparkle.
Choose your tone, then set your level with the output control and rock on!
|
| FPCTREM |
Fuchs Plush Creme de la Trem Pedal |
|
In a market filled with so many tremolo pedals, we knew we had to produce something truly unique.
The Plush tremolo is designed to emulate the unique sound of the Fender Brownface tremolo, one of the more unique and
sought after tremolo tones. Not only does it provide level variation, but the subtle tonal shifts,
not unlike a rotating speaker or chorus, unavailable in any other tremolo pedal.
Lush, full, spacious and quiet. Simple rate and depth controls allow you to tailor the tone to your exact needs.
True hard wire bypass, battery or adapter power.
|
| FPDRIVE |
Fuchs Plush Drive Pedal |
|
Just because you cant afford a boutique tube amp, doesn't mean you shouldn't get the chance to sound like you do !
The Plush Drive was designed for those who want the true tone, response and feel of boutique tube amps like the Dumble,
Two-Rock or Fuchs, at a reasonable price. Call it your Robben in a box.
The unique 4-knob circuit gives you unprecedented control over the most important aspects of your tone.
On the input end, the gain and touch controls allow you to set just the right amount of distortion and pick response,
based on your guitar and playing style.
On the output end, a subtle tone control and level control allow you to set both your overall lead tone and solo level.
A unique bi-fet integrated circuit and matched discrete FETs are designed to emulate the smooth overload and musical second order
distortion of a tube circuit quietly, musically, and reliably.
Coupled to a good clean amp its awesome. Add it to your amps overdrive for a super thick overdrive tone you wont know how you
lived without before. Quiet enough to put in front of an overdriven amp easily.
|
| FPGOODV |
Fuchs Plush Good Verbrations |
|
Good Verbrations ®.
The same innovative reverb circuit in our Verbrator ® is now available as a dedicated reverb pedal!
Unlike many other reverb pedals, Good Verbrations ® allows you to adjust both the level and decay of the reverb signal.
You can adjust from a tight short decay, to a long and lush decay, and with total musicality.
The reverb circuit is an audiophile grade 16-Khz bandwidth digital circuit.
Good Verbrations is extremely low noise, simple to operate, and it can run on guitar or -20-db loop level operation.
Like all Plush pedals, Good Verbrations can run on a 9-V battery or a DC adaptor, features an ultra bright bright LED,
and features solid cast aluminum power coated enclosure, heat cured silk screening, dual-sided heavy circuit board,
premium switches and controls, and premium electronic parts throughout. |
| FPNOX |
Fuchs Plush Noxious |
|
Designed as a signature pedal for Nick Catanese (Black Label Society, SpeedX).
The Noxious pedal brings a whole new definition to the term high gain. Where most pedals end,
Noxious is just getting started!
The Noxious pedal includes a fully-adjustable input gain control, amp-like fully interactive bass,
middle and treble tone controls and a master volume that doesn't suck tone.
With a low-noise input circuit based on our Pure Gain pedal, and an output section that is
like a miniature power amplifier, the Noxious can go from a mild overdrive,
to the sound of an amp on the verge of blowing itself to bits!
The Noxious features Nick's custom ''Evil Twin'' logo, true-bypass, an ultra bright LED,
premium jacks and a solid cast-aluminum shell.
Like all Plush Pedals, it's built in the USA from premium parts. |
| FPPGAIN |
Fuchs Plush Pure Gain Pedal |
|
The name says it all ! We started with a clean sheet of paper approach.
A unique circuit topology unlike anything currently on the market, the Pure Gain gives up to 25db of gain
(thats about a 20 times increase in your guitars output level), with an astoundingly low noise floor.
By using selected and matched devices in the circuit, premium parts throughout, we have what we believe may
be the quietest gain boost on the market. Besides a true hard-wire passive bypass, the gain control allows
you to use Pure Gain as an active buffer, which converts your signal from a high impedance input to a low impedance output.
Excellent for driving long cables, driving a pedal board, or use it to drive an overdrive pedal or amplifier into searing
high gain territory. Excellent for raising single coil pickups to humbucker levels.
A small footprint allows easily fitting it into most pedal boards easily.
|
| FPPGAIN+ |
Fuchs Plush Pure Gain Plus |
|
The Pure Gain Plus, combines two of the world's quietest gain boosts with an A/B box.
Based on an ingenious suggestion by Dweezil Zappa, the Pure Gain Plus allows you to both
balance and boost the levels of two guitars (for example a single coil and a humbucker guitar).
It switches to mono operation when only one instrument is plugged-in, allowing it to function as
a three mode booster: bypass, and two discrete boost levels.
Like the Pure Gain, when the boost level is at '0' position, the booster acts as a buffer,
reducing your guitar's impedance to about 20-K, allowing it to drive long cables or additional
effects on a pedalboard with minimum sonic impact.
Until you've heard the increase in clarity, detail and reduction in noise this
impedance change can bring, you haven't heard what you've been missing!
9-V battery or DC adaptor powered, the Pure Gain Plus features bright LEDs for each input
as well as showing which boost channel is engaged.
When the unit is bypassed, the respective LED blinks, and when active it turns solid.
Like all Fuchs pedals, the Pure Gain Plus features solid cast aluminum power coated enclosure,
heat cured silk screening, dual-sided heavy circuit boards, premium switches and controls,
and premium electronic parts throughout. |
| FPREP3 |
Fuchs Plush REP-3 Solid state tube voice delay |
|
Like the Replay and Replay Jr, the REP-3 delivers tape-like goodness and has the same attention to the audio and delay circuits
as the Replay, and Replay Jr, but with a unique solid state audio stage.
Andy's objective was very simple: To create a series of delays that delivered the warmth and musicality of tape, without
the hassles and costs of replacing tapes, belts, motors and maintenance. Sure, everyone loves the sound of tape, who needs all the
hassles! If you're like us, you want "that sound" and nothing more.
The REP-3 features up to one second of pure warm musical delay. Using a unique solid state audio circuit topology, the
REP-3 still retains the warm musical tones of an analogue tape delay. By using a unique power supply topology, the incoming
9 volts is internally converted to plus and minus 9V for maximum dynamic range, lowest noise, and musicality. The REP-3 also
features the same proprietary great-sounding digital technology used in many of our pedals, for the delay line. The enclosure
is cast aluminum, and precision machined. It features ultra-bright LEDS for highest visibility on stage or even outdoors.
The control panel features: LEDS for: Echo mute and tempo indication. The REP-3 operates just as simply as a tape delay:
No fancy programming, or software silliness. Designed by musicians for musicians.
The control panel is clear, concise, and user-friendly. Controls are delay time, mix, wow and flutter, repeats and fidelity.
The fidelity control allows you to tailor the repeats from digitally clear to tape smoothness. An internal switch allows
you to set the output to wet (delay only) for use through a parallel effects loop, or for stereo ping-pong operation.
While the REP-3 may be used on a pedal board in-front of an amplifier, for best performance, we encourage its use in an
effects loop. The REP-3 is simple to operate its unique retro styling is equally at-home in a studio, as it is on a stage.
Power: 60 ma from external power supply, via industry standard 2.1 MM tip negative connector. Internal switching power supply
produces bipolar supply for the audio stage. Use of this device at more than 9-VDC input is not recommended and voids warranty.
As all internal supplies are regulated, there is no benefit to higher input voltages.
Input: 1-Meg impedance signals from 500mv to 1-Volt level.
Mix output: 10-K output impedance 1.5-volt level max.
VU Meter: A-weighted 0-db indicates maximum signal to delay line before overload, works in conjunction with LED Peak indicator.
Weight 1-lb. Powder coated die-cast machined aluminum enclosure with heat treated silk screening.
Premium Neutrik jacks, Cliff switches, Alpha or Bourns metal-shaft potentiometers.
Digital delay technology: 32-Khz clock speed, 16 Khz bandwidth. 20-ms to 1-second delay range. Passive wet/dry mixing for maximum sonic quality.
Tap Tempo circuit: Designed by Ron Menelli of RJM Music Products
|
| FPREPLAYJR |
Fuchs Plush Replay Junior tube delay |
|
Like the Replay, the Replay Jr delivers tape-like goodness and has the same audio and delay circuits as the Replay, in a more pedal board
friendly package.
Andy's objective was very simple: To create a series of delays that delivered the warmth and musicality of tape, without the hassles and
costs of replacing tapes, belts, motors and maintenance. Sure, everyone loves the sound of tape, who needs all the hassles?
If you're like us, you want ''that sound'' and nothing more.
The Replay Jr features up to one second of pure warm delay. Using the same unique circuit topology like the Replay, The Replay Jr.
has a True High Voltage © switching power supply providing 300 volts to a genuine tube audio stage. It also features the same
proprietary great-sounding digital technology used in many of our pedals, for the delay line. The enclosure is cast aluminum,
and precision machined. It features ultra-bright LEDS for highest visibility on stage or even outdoors.
The control panel features: LEDS for: Echo mute and temp indication. The Replay Jr operates is as simply as a tape delay.
No fancy programming, or software silliness. Designed by musicians for musicians.
The control panel is clear, concise, and user-friendly. Controls are delay time, mix, wow and flutter, repeats and fidelity.
The fidelity control allows you to tailor the repeats from digitally clear to tape smoothness. An internal switch allows you
to set the output to delay only for use through a parallel effects loop, or for stereo ping-pong operation. While the
Replay Jr may be used on a pedal board in-front of an amplifier, for best performance, we encourage its use in an effects loop.
The Replay Jr is simple to operate its unique retro styling is equally at-home in a studio, as it is on a stage.
Power: 300 ma from 9VDC external power supply (included) via 2.1 MM tip negative connector. Internal switching power supply produces
300-VDC for tube and regulated 6-V DC for tube filaments. Use of this device with more than 9-VDC input is not
recommended and voids warranty. As internal supplies are regulated, there is no benefit to higher input voltages.
Input: 1-Meg impedance signals from 500 to 1-Volt level.
Mix output: 10-K output impedance 1-volt level max.
Weight 1-lb. Powder coated die-cast machined aluminum enclosure with heat treated silk screening.
Tube compliment: 1-12AX7 premium audio tube. Tube life estimated at 5-years of normal service.
Premium Neutrik jacks, Cliff switches, Alpha or Bourns metal-shaft potentiometers.
Digital delay technology: 32-Khz clock speed, 16 Khz bandwidth. 20-ms to 1-second delay range.
Tap Temp circuit: Designed by Ron Menelli of RJM Music Products.
|
| FPROYAL |
Fuchs Plush Royal Plush Pedal |
|
Original Ross and Dan Armstrong compressors are about impossible to find and VERY expensive.
We realized the market for an affordable quality compressor was a viable one.
Quiet, simple to operate, and quiet. True hard wire bypass and premium parts throughout.
Volume and bias controls allow you to set your compression from a soft limiting effect to an extremely compressed output.
A selected integrated circuit, boutique quality passive parts chosen for tone, and matched FET's
assure quiet consistent performance for the life of the unit.
|
| FPVALVE |
Fuchs Plush Valve Job Pedal |
|
Perhaps the closest tone to a boutique tube amp, without the size, weight, and price!
Just because you cant afford a boutique tube amp, doesn't mean you shouldn't get the chance to sound like you do!
The Plush Valve Job was designed for those who want the true tone, response and feel the only a real tube can provide.
Like The Plush Drive, The Valve Job features a unique 4-knob circuit which gives unprecedented control over the most
important aspects of your tone.
On the input end, the gain and touch controls allow you to set just the right amount of distortion and pick response,
based on your guitar and playing style. On the output end, a subtle tone control and level control allow you to set both your
overall lead tone and solo level.
A unique bi-fet integrated circuit matched to a real 12AX7 vacuum tube emulates the smooth overload of a tube amp,
but with the shimmering harmonics only a tube can provide.
Besides a Santana horn-like musical distortion, The Valve Job can provide one of the greatest gnarly
slide guitar tones you'll ever hear. It has a unique almost out of control feel that only a real tube can provide.
|
| FPVERB |
Fuchs Plush Verbrator |
|
The Verbrator® is a new multipurpose pedal which combines an all-tube effects loop with a
studio grade reverb featuring a 32-Khz clock speed for full 16-K audio bandwidth.
The Verbrator® is our most innovative pedal offering to date.
It's an effects loop, it's a reverb, it's both!
Unlike other "tube pedals," the Verbrator® power supply features a unique regulated switching technology
that takes the incoming 9 volts and converts it up to the optimal high voltage a tube really needs to operate best.
In addition, a 6-volt DC regulator provides consistent clean DC power for the tube filament assuring
lowest noise and consistent performance despite any changes to incoming line voltage.
The Verbrator® can be used as a pedal on a pedal board as a reverb pedal.
It features a level control and decay control allowing you to have a short medium or long decay reverb algorithm.
It can also be used as a tube buffer to convert an incoming high impedance signal to a low impedance for
long cable runs or driving a pedal board.
The recovery (gain) stage can be used to boost the level of a guitar or pedal board with a true tube audio stage.
It provides a warm sweet utility gain stage with a multitude of uses.
The effects loop portion of the pedal features a unity gain cathode follower to work with any amp
that has passive preamp output - power amp input patch jacks, and not a true active effects loop like Ceriatone,
Dumble, Bludotone, Brown Note, some Marshall models and others.
It has a send level control and high headroom.
The return portion of the loop features a high impedance input (250-K) and a low output impedance with its
own level control as well.
The loop can be run in series or parallel modes, and features a level adjust switch for rack or pedal style effects.
9-volt DC adaptor provided, the Verbrator ® features a unique ''window'' showing the tube.
Like all Fuchs pedals, the Verbrator® features solid cast aluminum powder coated enclosure with heat
cured silk screening, dual sided heavy circuit boards, premium switches and controls,
and premium electronic parts throughout. |
| FPXCREAM |
Fuchs Plush Extreme Cream Pedal |
|
When we introduced the Plush Cream a number players became repeat customers.
When we asked why, they explained that they set one for a great rhythm crunch, and the second for a screaming lead tone.
We went beyond solving that problem in The Extreme Cream. We give you two 3-knob channels.
One is voiced like the stock Cream. The second is voiced warmer, all under one hood.
A simple a/b switch and a simple on/off switch make operation a breeze.
In addition to the selected Integrated circuits, we carefully chose each resistor
and capacitor to voice the Extreme Cream to be quiet, smooth yet articulate, and dynamic.
Both channels respond well to both picking strength and guitar volume, and, best of all, it feels like a tube amp.
The gain control takes you from a mild edge to the hardest scream.
The tone control takes you from a warm woman tone to a screaming lead tone with just the right amount of sparkle.
Choose your tone, then set your level with the output control and rock on!
|
| FPGNOME |
Fuchs Plush Gnome Amp |
|
The Plush Gnome is the world's smallest and least expensive guitar amplifier.
Proudly made in the USA. When used with its self-contained speaker, it makes an ideal
home or studio practice amp.
Plug the Plush Gnome Amp into any 4, 8 or 16 speaker cabinet, including 4x12s, and ROCK OUT!
You'll be amazed what a half watt of power can do! It can even be used on the input of another
amp as a fuzz box and booster.
It is available in a translucent polycarbonate box, and also fits a standard cigarette pack box
if you wish to customize it. Includes battery and ready to rock right out of the box.
|
|
